Search
Program Calendar
Browse By Day
Browse By Person
Browse By Room
Browse By Area of Study
Browse By Session Type
Search Tips
Virtual Exhibit Hall
Personal Schedule
Sign In
Session Submission Type: Organized Panel Proposal Application
Literary composition has always been a male-dominated enterprise in China. Male writers, through their persona compositions in women’s voice, established literary conventions about feminine identity, sentiments and voice. When women assume the authorial role, they had to confront these male-constructed literary conventions and create their own literary voices. How do they develop a female subjectivity and female identity against cultural expectations and stereotypes? What happens when women’s life experience and lyric sentiments went beyond the conventional, male carved “feminine” language allows them to express? This panel explores different/alternative voices in women’s writing and shows how women writers contest established gender roles and feminine voices through literary representation. Qiulei Hu’s paper reveals female voices different from the “boudoir resentment” in elite women’s poetry of the early medieval period and inspects the causes of their eventual suppression in textual transmission; Through studying late Ming and Qing women’s travel writing, Shiling Yu shows how women venture out of the inner space and write about experience that is traditionally considered a male privilege; Chengjuan Sun’s paper looks at Qing dynasty gentry women’s playful verses and argues that they represent women writers’ attempt to defy traditional gender roles in literature; Da Zheng examines a twentieth century woman writer’s autobiography that showcases how literary writing helped a woman come to terms with her diasporic experience and female identity. Together, four papers of this panel demonstrate women writers’ efforts in defining their literary identity and voices through negotiating with cultural and literary traditions about gender roles and female experience.
What Women Write?: Neglected Female Voices in Early Medieval Chinese Poetry - Qiulei Hu, Whitman College
Geographic Travel, Literary Travel and Worldly Travel: Women’s travel writing from Late Ming to 1840 - Shiling Yu, Nanjing University
Engendering Humor: Women’s Playful Verses - Chengjuan Sun, Kenyon College
Chinese Housewife and Women’s Autobiography - Da Zheng, Suffolk University