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As a public curriculum case study, Bosnia and Herzegovina provides an opportunity to examine how museums both [de]stabilize and [mis]direct the formation of democratic values and civic pluralism in times of radical social change, political complexity, and post-war recovery. Beyond important efforts to develop progressive pedagogical practices and be responsive to community input and needs, museums must critically understand their role in providing access to “an ethical-political discourse of collective self-understanding” (Habermas, 2001, p. 37). In order to develop such an understanding, museum educators must critically engage genealogies of the public sphere, assumptions about the nature of civil society, and the instrumentalized discourse of cultural heritage.