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Session Type: Roundtable Session
The papers contain theoretical elements from performance studies, psychoanalysis, critical geography, and critical social theory, navigating the authors’ inquiries by engaging research participants in practices frequently falling outside of dominant paradigms of qualitative research. Using methods such as walking, mapping, spectating, and photographing, the studies anchoring these papers gesture towards the possibilities for post-qualitative research recently promoted by several recognized allies of curriculum studies (Lather & St. Pierre, 2013; MacLure, 2013; Jackson & Mazzei, 2013). The staged presence of a school auditorium, the sweltering heat of a metropolitan city, the mixture of color of a student’s photograph, and the textures of an assembled collage foreground the materiality of our lived worlds as irreducible components of curriculum.
“Traces in Narratives About Knowledge”: Fiction and Photography as Method/ology - H. James Garrett, University of Georgia
Capturing Little Africa: Immigrant Youth Re-Presentations of Home in Thirdspace - Sandra Schmidt, Teachers College, Columbia University
Images, Imagination, and the Construction of a Curriculum in New York City - Avner Segall, Michigan State University
Performing America: Using Mimesis, Poiesis, and Kinesis to Consider Curriculum as Performance - Mark Helmsing, George Mason University