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Visiting Washington, D.C.
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Guided by historical analysis and queer theory, I examine the ways that Jane Addams’ Hull-House Settlement House in Chicago created a radically new kind of “strange” space: a queer counterpublic. It created a safe space for not only immigrants, but also for educated Progressive women who explored non-(hetero) normative female subjectivities. To connect its past and present, I examine how, today, the Jane Addams Hull-House Museum (JAHHM) still symbolizes the radical. I argue that he museum itself “outs” the history of Hull-House and its queer past because it is considered by its contemporary caretakers, curators, and queer theorists as a queer counterpublic, and a legacy of Addams’ Progressive ideals.