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Methodological Considerations in the Use of Participant Photography With Black Male Students

Fri, April 28, 4:05 to 5:35pm, Henry B. Gonzalez Convention Center, Floor: Ballroom Level, Hemisfair Ballroom 3

Abstract

This paper will discuss the benefits and dilemmas of conducting participatory visual projects with Black males. Participatory visual methods attempt to situate research subjects as co-collaborators in the discovery process and create spaces for participants to address and critique the issues most salient to them. The paper describes the methodology of a participant photography research project that examined how Black males make meaning of the issues salient to them, and how they visually and discursively position and re-position themselves in relation to hegemonic conceptions of Black masculinities. Additionally, the paper discusses the power of counter-storytelling and consciousness building through photography and photo elicitation, issues regarding new digital technologies, ownership, and photographic (re)presentation.

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