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Picture books that attempt to address the 9/11 attacks provide a significant problem for a tradition of theorizing trauma in children's literature (Bettelheim, Coats): on the one hand, these texts introduce a loss that is not (yet) the children's own; on the other, the texts offer no possibility of mourning. Drawing from Freud, Britzman, and Tribunella, we argue that the function of these books is to establish a shared melancholic object: an ineffable loss that serves to shape the culture that shares it.