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This research explores the experiences of pre-service teachers enrolled in a Drama Education course at a Canadian University. Participants wrote, presented and reflected on exploring a critical Canadian Aboriginal issue through drama. Post-class interviews, journal reflections, class assignments, photos and performances are all forms of data collected during this phenomenological case study. A color-coding scheme was used to categorize and then analyze data leading to the identification of: healing; art for advocacy; embodiment and appropriation; and racism being identified as the major themes. Understandings were then derived in relationship to the question: How are agency and intersubjectivity connected to the learning experiences of participants in a drama education class exploring Aboriginal issues?