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This paper is the result of conducting an arts-based research project in Changchun, China, during a three-month period. The project involved the creation of a group or “collective” of co-researchers, all graduate students from Northeast Normal University. The collective was formed around the arts-based methodology of Playbuilding (Norris, 2009) as a transformative learning process that provided a unique opportunity for Chinese university students from various disciplinary backgrounds to explore their personal, social and existential identities. The collective consisted of 9 graduate students who participated in 8 Playbuilding sessions (June–July 2018) that utilized dialogue and testimonial, written and digital data, culminating in live performances with audience participation and live discussions throughout the performance.