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Session Type: Symposium
This session is a conversation between participatory action researchers and artists, discussing critical approaches to using visual images in our work. Through various fields and frameworks - including visual studies, critical place inquiry, haunting, and critical race studies - we offer a critique of image-making and visual methodologies that re/produce violent regimes of representation. Rather than doing away with visual materials altogether, we rework visual methodologies to explore truth-making in research and intervene on dominant forms of representation. Each presenter shares their strategies for using the visual as theory, process, and evidence, from the perspectives of art and participatory research.
Between "Black Annotation" and "Black Reduction": Artistic Strategies of Working With Archival Material - Belinda Kazeem-Kaminski, Academy of Fine Arts, Vienna, Austria
Miles Behind the Wheel: A Visual Study of Spatial Mismatch in the Mid-Hudson Valley - Deanna Del Vecchio, University of Toronto; Eve Tuck, University of Toronto
Through Our Lens: Black and Indigenous Youth Making Sense of Movements and Place - Sefanit Habtom, University of Toronto; Eve Tuck, University of Toronto
Ghost Ship: Ghostly Aesthetics, Border Regimes, and Politics of Place - Moira Hille, Academy of Fine Arts Vienna