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This paper pulls from a larger qualitative study that considers what might be gained from viewing instructors as composers of social justice education; as creators who undergo various becomings and unbecomings across multiple contexts, and as agents who also employ composition as a tool to teach social justice. I examine a slice of preliminary findings that provide insight from the emergence and uptake of a writing intervention. Critical tensions were revealed between the instructors’ holistic (lifeworld) goals for social justice learning and the school-task oriented objectives communicated through the project rubric. Specifically, the discovery of hidden features and layered audiences became central to instructors’ reimagining of the project.