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This study examines how teachers’ discursive practices provide opportunities to learn ways of doing and seeing in painting. To illustrate how opportunities to learn are socially constructed, I employ intertextuality as a social construction. By using discourse analysis, I analyze a six-minute desk critique conversation between an instructor and a student with diverse semiotic resources (words, objects, and gestures) in a college fine arts studio. Through a series of intertextual links they establish together, the teacher provided opportunities to learn discourse about what counts as seeing and knowledge in painting. In this study, I argue that the teacher’s discursive practices could offer opportunities to access what professionals see and how they see what they want to see.