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In this paper, I describe the development of a photographic research method as part of a community-based design research project in an informal program for youth and instructors historically kept out of STEM. I suggest that photographs can function as powerful identity resources (Nasir & Cooks, 2009) for youth, instructors and their families. Theorizing the use and meaning of photography at the intersections between learning sciences, cognitive science, Black studies and art, I propose a view of photography as having a special epistemic access to the cognition of self. Centering a process of creating and sharing of identity resources with nondominant community members represents an alternative to Western research approaches and represents a kind of axiological innovation.