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In this study, four ethnically and racially diverse women faculty at different academic ranks and situated in different universities across the U.S. engaged in a collaborative autoethnography via poetic transcription. Guided by the concepts of healing and womanhood as a framework, they examined how being a part of a long-standing co-mentoring circle enabled individual and collective healing. Poetic transcription was also harnessed as a means of disrupting current hegemonic and scripted notions of qualitative inquiry to embrace an arts-based perspective of research, thereby examining how this particular methodological approach aided in this healing process as well.