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Through an interpretive historical analysis, this paper synthesizes Viola Spolin’s approach to teaching dramatic improvisation at Jane Addams’s Hull House in her Creative Recreational Theater Program between 1938-1945, where she developed the “theater games” (Spolin, 1999) currently used by many educators in K-12 schools and other learning environments. Finding indicate that Spolin taught improvisation through anti-authoritarian, democratic methods and a curricular approach anchored around the use of cooperative games intended to foster recreational, pleasurable experiences among a group. Her ultimate goals included involving more members of the immediate Chicago and U.S. community in her form of participatory theater-making. These findings suggest new pedagogical and scholarly possibilities for contemporary historical and educational researchers seeking to further explore group-oriented, collectivistic pedagogical possibilities.