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We explore structural feminisms theorized by BIPOC women scholars and unsettle the binaries inherent in music education in order to engage in speculative work toward transformation. Employing this multifaceted theory as a tool toward the speculative not only unsettles current extant structures but also provides an opportunity for reflexivity about taken-for-granted practices. Ultimately, we identify binaries prevalent in music education such as conductor/audience, master-apprentice/autodidactic, formal/informal, literacy/aurality, problematize them, and engage in speculative work toward a nonbinary approach to music education.