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The purpose of this study was to understand the state of gender and sexuality discourse presented in the programming of music education professional development in the United States. I employed a descriptive, qualitative design encompassing content and discourse analysis of music education professional development conference programs from the previous five school years (Fairclough & Fairclough, 2012; Sunderland & Litosseliti, 2002). Findings indicate that topics such as inclusive strategies for LGBTQIA+ students, revisiting gender norms in choral settings, and empowering women conductors were some of the topics that were most common. This study has important implications for PD policy makers: a) how various organizations can interact more efficiently, and b) how access to PD can expand outside of singular conference offerings.