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Drawing from an ethnographic study of a majority-Black high school’s Gender-Sexuality Alliance in a large Midwest city, I examine Black queer girls and genderqueer youths’ “adornment practices” (Pritchard, 2017) as “literacy performance” (Blackburn, 2003; Pritchard, 2017) that allows for an embrace of their Black queer selves. The choices they make to dress themselves turn out and play with expectations of Black gender and sexuality, embracing an elision of the material and speculative worlds they create and alter. Their everyday adornment practices act as a “grammar” (Campt, 2017) of “Black livingness” (Griffin & Turner, 2021), a literacy performance in which they do not wait to become, but rather actualize pleasure through dress as a way of languaging who they are now.