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Artful Inquiry in Qualitative Research: Philosophies and Enactments
Fri, April 25, 1:30 to 3:00pm MDT (1:30 to 3:00pm MDT), The Colorado Convention Center, Floor: Terrace Level, Bluebird Ballroom Room 3ASession Type: Structured Poster Session
Abstract
This structured poster session brings together contributors of two connected special issues that explore how qualitative researchers think about/with/through artful inquiry practices. In opening up (rather than nailing down) artful inquiry, we posit artful inquiry as a philosophical approach, or mode of thinking, that creates possibilities for how scholars do qualitative research. The presenters are 11 qualitative scholars who infuse artful inquiry into their research practices, considering what might come from envisioning artful inquiry as a mode of thinking that inspires how we orient, how we encounter, and how we move, in our inquiry work. Each poster will introduce philosophies and/or enactments of artful inquiry, drawing from a variety of theoretical traditions, methodologies, methods, and artful modalities.
Sub Unit
Chairs
Papers
Soulful Stirrings: Art-full Inquiry as Process and Product (Poster 1) - Janice B. Fournillier, Georgia State University; Janie Copple, Georgia State University
Working the Tensions: Conceptualizing Artful Inquiry through Embroidery in Qualitative Research (Poster 2) - Carlson Coogler, Baylor University
Inquiring Artlessly: Encounter(ing)s with Monstrous Materialities From/Through the Threshold (Poster 3) - Bretton A. Varga, California State University - Chico; Asilia K. Franklin-Phipps, SUNY - College at New Paltz
Against the (Academic) Machine: A Punk Rock Ethnodrama (Poster 4) - Joseph D. Sweet, University of North Carolina - Pembroke; Saralyn McKinnon-Crowley, Baylor University; Mirka E. Koro, Arizona State University
Artful Thinking with/about/through Music: Harmonizing the Onto-Epistemological and Ethical Terrain of Inquiring (Poster 5) - Taeyeon Kim, University of Nebraska - Lincoln; Sam Bader, University of Nebraska - Lincoln
Art as Inquiry and Post-Intentional Phenomenology as Art (Poster 6) - Laurie Elisabet Hahn Ganser, University of Minnesota; Melissa Surrette, University of Minnesota; Mark D. Vagle, University of Minnesota; Jessica Silk, University of Minnesota; Andrew Fiegen, University of Minnesota
Infinite Essence: Black Aesthetics as Methodological Otherwise (Poster 7) - Wilson Kwamogi Okello, Pennsylvania State University
Cut, Paste, Layer, Repeat: Thinking in and Through Collage as a Collective Medium of Possibility (Poster 8) - Kiana Willis, University of Georgia; Maureen Alice Flint, University of Georgia; Venessa Silveira, University of Georgia; Ashley Williams, University of Georgia; Brandon Isome, University of Georgia; Jennie Pless, University of Georgia; Joy Green, University of Georgia
“Space, Movement, Entanglement, Ambiguity, and Flow”: Artful Knowing Through Collective Poetic Inquiry (Poster 9) - Kathleen Pithouse-Morgan, University of Nottingham; Guruvsagie Pillay, University of KwaZulu-Natal; Inbanathan Naicker, University of KwaZulu-Natal
A Layering of Selves: Bias, Subjectivity, and Paper Dolls (Poster 10) - Stephanie Anne Shelton, University of North Carolina - Chapel Hill; April M. Jones, University of Alabama
Eat Your Words: An Artful Neuroqueer Fermentation Experiment (Poster 11) - Meaghan Krazinski, Syracuse University