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Zines, self-published works that combine collage, art, and nontraditional writing, can be a critical qualitative intervention against the neoliberal academy. In this paper I highlight the ways in which zine-making allows researchers to move beyond the qualitative-quanitative binary and into deeper levels of methodological engagement and theoretical articulation. I provide practical examples of how zines can be used to collect and display qualitative data, and explore how the process of zine-making as slow scholarship can be a form of resistance to the strictures of higher education.