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This paper investigates puppets as aesthetic objects that animate complex ways of knowing. It draws on archival materials from a teachers college that coincide with the emergence of puppetry in education in the US. (1920s-1950s), just before it explosively leapt into educational television. The study employs multi-modal methodology including a collaborative reading group, interactive exhibition curation, a movement workshop, and an experimental symposium and flash book writing project. The research explores the "the puppet effect": how animated objects simultaneously show and hide their aesthetic and technical context. Puppets are proposed as a useful way to understand productive tensions in both art and education, as well as situating debates around automation and AI in education within a longer critical tradition.