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Session Type: Demonstration/Performance
We offer a Harlem Renaissance-style salon as a portal to unforgetting histories, reimagining our presents, and rehearsing liberatory educational futures with Black, Indigenous, Latine, and Asian scholar-artists. In this session we share our reimaginings—film, poetry, visual art, fiction, plays, mixtapes—to honor our genealogies rooted in Black knowledge production and ways of being. Creative critical research methods and art co-created therein remain spaces of unforgetting toward an anterior grammar (Campt, 2017), one that examines life across pasts, presents, and futures. Anteriority as a necessary condition for self-determination throughout time understands artistic imagination and witnessing as memory-making. We extend anteriority to hold arts-based educational research as our always-remembering conjured within archives, ethnography, interviews, play, and our liberatory learning as possibility.
Black Girls Shine - Jessica Reed, Michigan State University
Collaging Black and Indigenous Education Sovereignties - Anna Almore, University of Michigan
Poetry in Motion: A Black Feminist Inquiry in Sound and Story - Autumn A. Griffin, University of North Carolina - Charlotte
Maya Political Memory: Patrullero Voices Disrupting Civil War Narratives Through Collaborative Cinema - Alex Mejía, San Francisco State University
Sonic Memories and Sonic Storytelling as Methodology: Multimodal Literacies & Mixtape Composing with Transnational Girls of Color - Jordyn Alyse Simmons, University of Houston; Tairan Qiu, Stanford University
Black Girl Art: Refusal and Reimagining Through Arts-Based Research - Jazmen Moore, Stony Brook University - SUNY