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As much as qualitative research has attempted to circumvent systemic oppression, traditional modes of qualitative inquiry often perpetuate colonial harm against systemically minoritized identities. While arts-based methods have been offered as one way to decenter hegemonically accepted modes of knowledge production in qualitative research by centering participants’ embodied ways of knowing, many arts-based approaches are specialized for use in specific theoretical traditions and educational contexts. This paper offers the elicitation of identity artifacts (IAs) as a malleable method for use in identity-based qualitative research across a variety of postsecondary contexts. The authors offer two examples of creative elicitation strategies that demonstrate the method’s potential to disrupt researcher-participant power dynamics and critically center reflexivity and reciprocity in research design.