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In higher education, the epistemological and methodological tenets that are most revered are from White people. Within this paradigm, Black people’s knowledge creation is situated as durably inferior. This perception of Black knowledge creation is understandable through the lens of afropessimism because Black people, living in the afterlife of slavery, experience social death. Using hip hop inspired storytelling as a modality, we endeavor to challenge epistemological canons prescribing ways of knowing and doing in the academy to determine if there is life after death.