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The lived experiences of Black engineering graduate students have largely been disseminated traditionally in the form of peer-reviewed scholarly manuscripts, which have impact limited to those who choose to read such literature. This work employed an arts-based research method to move from interview data to narrative construction through to development of a script for an ethnodrama performance. We constructed the story of “X”—a Black male graduate student in systems engineering navigating a prestigious, predominantly White institution (PWI) —through a creative resilience. Anchored in Critical Race and Role Strain Theories, this story represents a counternarrative of the Black experience in higher education in STEM. The emergent script captures the many faces, or masks, and identities worn by Black students.