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Since the inception of Pakistan in 1947, political satire and humor have emerged as
significant components of its infotainment industry. This study explores the satire and
political humor industry in Pakistan, concentrating on the lived experiences and
motivations of satirists and satire producers involved in the craft. It is conducted using
qualitative research methodology that involves Interpretative Phenomenological Analysis
(IPA) of semi-structured interviews of famous satirists and satire producers in Pakistan.
The study identifies several major themes, including the definition of satire, satire as a form
of dissent, the production of satire, and more. It also provides a chronological history of
satire and humor in Pakistan, providing a perspective into contemporary satire and tracing
its roots from the pre-colonial times to the modern placement in the industry.