Erasure of Biracial Identity: Hollywood’s Misrepresentation of Black-White Mixed Race Identity

• In Event: 390 - Section on Race, Gender and Class Roundtables (one-hour)
  In Refereed Roundtable: Table 06. Race, Gender, and Class: Media and Controlling Images

Abstract

The purpose of this research is to examine the longevity of the stereotype of the tragic mulatto in American film history. Specifically, my research focuses on the portrayals and perceptions of biracial actresses.

This research focuses on the portrayal of biracial actresses throughout film history, specifically from 1940-2010. It is also important in its investigation of the perpetuation of the one-drop rule. I examine if historical stereotypes of tragic mulatto are apparent in contemporary Hollywood film.

The methodologies used in this research include a content analysis of films with biracial actresses and an online survey of respondents’ perceptions of four actresses. Statistical techniques used for analysis include ordinary least square regression and multinomial logistic regression.

Findings suggest that the tragic mulatto stereotype is not blatant in contemporary Hollywood film, but issues of colorism may be apparent. In addition, by not including biracial identity as a valid form of racial identity in film, it can be argued that the one-drop rule perpetuated in contemporary American culture and whiteness is unharmed.

Author

• Alicia L. Brunson, Kansas State University