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This paper employs autoethnography to explore the complexities of self-identity, cultural expectations, and resistance as a Chinese queer woman. Through a critical self-narrative, I examine how gender, sexuality, and social norms shape my lived experiences in both China and overseas. Drawing from my engagement in cosplay as a method of queer exploration, as well as my experiences as a scholar and asexual individual navigating familial and societal pressures, I demonstrate how autoethnographic writing serves as both an act of personal empowerment and a means of sociological inquiry. This study contributes to discussions on queer identity formation, gendered expectations in Chinese society, and the methodological significance of autoethnography in studying marginalized experiences.