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Can you tell your story in a way that will win you a cash grant? That will get you hired despite the fact that you have a criminal record? Can you tell a story about an individual victim of the Holocaust that will lead a far-right partisan to commit to combating antisemitism? Can a nation reap benefits from telling the story of its victimhood long after it has become a world power? Can we tell a story about what makes us human beings that does not depend on our being the only ones with consciousness? In asking these questions, papers explore the mechanisms by which narratives work: how they integrate novelty and familiarity; how they figure the protagonist’s difference from the audience; how they relate what happened (in the past) to what should happen (in the future).
A Nation Framed: Victimhood Narrative in China’s State Media from the 1960s to 2020s - Yuchen Luo, New York University
Artificial Intelligence and the Traumatization of Human Culture - Todd Madigan, Coastal Carolina University
Confronting the Past in a Polarized Present: Effects of Holocaust Representations on Mobilization against Antisemitism - Berenike Firestone, Berlin Social Science Center (WZB); Ruth Ditlmann, Hertie School Berlin; Oguzhan Turkoglu, Hertie School Berlin
“Here’s My Story”: Narrativizing Crisis and Agency in Personal Appeals - Amy S. Weissenbach, Columbia University
Narratives and Destigmatization: The Case of Criminal Record Stigma in the Labor Market - David J. Harding, University of California-Berkeley; Maria Smith, University of California-Berkeley; Da Eun Jung, Indiana University-Bloomington; Stephanie Luna-Lopez, UC Davis; Amanda Glazer, UT Austin