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Session Submission Type: Paper Session (90 minute)
This panel invites submissions that emphasize the ways in which culture — including but not limited to art, media, and knowledge — is shaped by the social, economic, technological, and legal contexts of its creation and distribution. Focus will be on producers and the organizations within which cultural objects are generated.
Managed Frictions: Occupational Encounters and Risk Governance in China–Hollywood Coproduction - Jun Fang, University of Toronto
The Production of Intimacy: How Hollywood’s Intimacy Coordinators Manage Intimate Labor in a Creative Industry - Jennifer David, University of California-Santa Barbara
Using the Trainwreck: Narrative Coordination and Failure in an Occupational Community of Musicians - Adam Kaelin Schoenbachler, Cornell University
When Technology Shapes Creativity: VFX Innovation, and the Rise and Fall of a New Cinematic Genre - Likun Cao, Purdue University
When the Fans Know You're Faking It: Performing Authenticity for Skeptical Audiences - Anthony Shu, University of California-Los Angeles