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Session Submission Type: Complete Thematic Panel
Diversified transnational criminal activities, coupled with broader geographic capabilities have further turned the black and white line between the licit “upperworld” and illicit “underworld” a murky shade of grey, and the illicit trade in art and antiquities is no exception. The papers on this panel present a variety of perspectives on art and antiquities trafficking and examine where cultural heritage intersects with crime.
The Knife that Still Divides: The Papers of Salamanca and the Heritage of Spain’s Civil War in the 21st Century - Marc Balcells, John Jay College of Criminal Justice
The Global Illicit Antiquities Trade as Economic Crime - Simon Mackenzie, University of Glasgow; Terressa Davis, University of Glasgow; Blythe Bowman, Virginia Commonwealth University
Unraveling the Continuing Complexities of Ownership Rights Surrounding Art Plundered from the Nazi Era: The Gurlitt Case - Duncan Chappell, University of Sydney; Saskia Hufnagel, Queen Mary University of London