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Michelle Brown (2017) has proposed that “[h]ow we understand and configure the present asks that we think expansively about what it might mean to pursue an open-ended future, starting with our foundations: the image of crime.” Photographs, in particular, are records of events of the past, but they also create, open up and unlock a “language of possibility” (Jurovics 2013 (cited in Brisman 2017)). The images in this “poster,” produced by a diverse array of scholars, researchers, and practitioners, attempt to develop and communicate (with) this “language of possibility.” To do so—to place primacy on the images, themselves—we exhibit our photographs with minimal supporting text. Viewers will be asked to engage with these images as images. Their subject matter relates variously to the themes of protest, resistance, spectacle, and/or transgression.
Avi Brisman, Eastern Kentucky University
Michael Fiddler, University of Greenwich
Katherine Biber, University of Technology Sydney
Reece Burns, Edge Hill University
Elaine Campbell, Newcastle University
Anna Di Ronco, University of Essex
Bill McClanahan, University of Tennessee, Knoxville
Katarina M. McGuire, University of Tennessee, Knoxville
Rita Shah, Eastern Michigan University
Sara Skott, Mid Sweden University
Alison Young, University of Melbourne