
Search

Browse By Day

Browse By Time

Browse By Person

Browse By Area

Browse By Session Type
Search Tips
ASC Home

Sign In


X (Twitter)
Michelle Brown (2017: 286) has proposed that “[h]ow we understand and configure the present asks that we think expansively about what it might mean to pursue an open-ended future, starting with our foundations: the image of crime.” Photographs, in particular, are records of events of the past, but they also create, open up and unlock a “language of possibility” (Jurovics 2013: 12 (quoted in Brisman 2017: 533)). The images in this “poster,” produced by a diverse array of scholars, researchers, and practitioners, attempt to develop and communicate (with) this “language of possibility.” To do so—to place primacy on the images, themselves—we exhibit our photographs with minimal supporting text. Viewers will be asked to engage with these images as images. Their subject matter relates variously to objects, situations or words that offend (recognizing that what may trouble the artist/photographer may not impact the viewer in the same way—and vice versa).
Avi Brisman, Eastern Kentucky University
Michael Fiddler, University of Greenwich
Katherine Biber, University of Technology Sydney
Reece Burns, Edge Hill University
Elaine Campbell, Newcastle University
Anna Di Ronco, University of Bologna
Murray Lee, University of Sydney
Travis Linnemann, Kansas State University
Bill McClanahan, University of Tennessee, Knoxville
Katarina McGuire, University of Tennessee, Knoxville
Rita Shah, Eastern Michigan University
Nicholas Walrath, Kansas State University
Linda Wilken, University of Sydney
Kalel Yates, Eastern Kentucky University
Alison Young, University of Melbourne