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Session Submission Type: Panel
This is the second panel in the emotions in Russian literature and film series. This particular panel focuses on the Soviet and post-Soviet series, showing how tears, trauma, and emotional appeals shape the artistic imaginary in the USSR and post-Soviet diasporas.
Framing Trauma: Photography, Memory, and Affect in Shteyngart’s Little Failure - Robyn Jensen, Columbia U
Bitter Tears: Crying as a Component of Maksim Gor'kii's Personal Myth - Daniel A Brooks, Rutgers, The State U of New Jersey
'Our intentions were always most sincere': Emotional Appeals in Thaw Cinema and Poetry - Zdenko Mandusic, U of Chicago