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This paper is part of a lightning round, "The Post-Soviet Public Sphere: Assembling a Digital Multimedia Sourcebook of the Russian 1990s." By the late 1990s, the phantasmagoric nature of the post-Soviet advertising landscape was somewhat of a cliché, its real-life machinations barely distinguishable from fictional depictions like Victor Pelevin's Generation П (1999). This paper explores the connections among television advertisements for financial products (especially for Bank Imperial and the pyramid scheme MMM) and Internet-based political activity (especially the so-called "Black PR" of sites like "Kogot'"), arguing that the phenomenon that came to be known as "meme magic" in the global 2010s had its origins in Russia's "wild 90s."