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This paper examines the final novella of Uzbek author Abdulla Qahhor, Tales from the Past (1966), in which the author articulates a particular form of Soviet subjectivity specific to Central Asia through his childhood memories. Rather than presenting himself as a loyal member of the Communist Party in the revolutionary days, as a person who struggles with his spontaneity to come to consciousness, Qahhor figures himself as passive witness to the cruelty of pre-Soviet Uzbekistan, which he uses to justify the Soviet present. The piece also compares Qahhor's work to the childhood memoirs of other Uzbek writers from the 1930s to the 1960s.