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The vampire in Aleksei Tolstoy’s “The Family of the Vurdalak” and “Упырь” is simultaneously a marker of Slavic identity and an indication of infection and uncleanness. While the vampire is solely negative in Slavic folklore, Tolstoy’s use of it reflects the ambivalence that the Western-looking Russian upper class felt about their own identity as a Slavic people and as Westernizers. In this presentation I will address this ambivalence and its significance as it is portrayed in Tolstoy’s vampire tales.