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This paper proposes to take a deep dive into the Soviet Union’s Bolshevik origins and their proletariat-based utopian imaginaries of the new society and the New Man. By offering a reading of Gladkov’s Cement that questions the novel’s belonging to the Socialist Realist canon, the paper disentangles the early 1920s proletarian literature from the long-established academic trope that insists on the paramount supremacy, in the Bolshevik utopian imagination, of “proletarian consciousness” over proletariat’s instinctive and spontaneous identification with the revolutionary modernity.