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For Czech decadent poet and author Jiří Karásek ze Lvovic (1871-1951), modernism was an essential framework enabling him even to imagine queer liberation. This paper will examine queer themes in Karásek's groundbreaking trilogy The Three Magicians Novels (1907-1925) including Manfred Macmillan (1907) and Scarabaeus (1909) -- the safety of the fantastic, the sublimation of the femme fatale, and the subtext of queer criminalization -- before briefly considering their implications for Karásek's position in Czechoslovakia's sexual-minorities movement in the 1930s.