Search
In-Person Program Calendar
Browse By Day
Browse By Time
Browse By Person
Browse By Room
Browse By Category
Browse By Session Type
Browse By Affiliate Organization
Search Tips
Sponsors
About ASEEES
Code of Conduct Policy
Personal Schedule
Change Preferences / Time Zone
Sign In
In spite of the newly promoted principles of non-intervention into the fabric of monuments, radical restoration of monuments continued in Romania in the first decades of the 20th century. Especially churches and monasteries were given new shapes so that to fit recent definitions of Romanian art and “national style”. Many of these monuments were unique structure that reflected the centuries-old Ottoman rule over Wallachia and Moldavia through architectural elements such as rich, intricate decorations, muqarnas-style ornaments, ablution fountains, trilobe arches, etc. Never openly recognised as Ottoman, these architectural and decorative elements were either presented as Byzantine, Orthodox or Romanian or modified and replaced during the restorations. The paper will therefore present a less-known but highly efficient process of identity-building through monuments restoration. It argues that while officially the Ottoman past was overlooked in favour of other historical ties, such as with the Byzantine Empire or Venice, in practice many monuments in Romania kept their unique aspect and Ottoman-style decorations.