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This paper analyzes the case of thirteen Jewish women who attempted to survive the Second World War by ‘passing’ as Polish-Christian forced laborers 1942. They lived and worked under assumed identities in the heart of enemy territory, amid an environment hostile to Poles and genocidal to Jews, until denunciation by a Polish or Ukrainian laborer resulted in the arrest of all thirteen women. This paper delves into passing during the Holocaust, highlighting it as a performance of identity involving actors, supporting roles, and an audience, shaped by circumstances, stakes, and setting. Foregrounding a gender analysis, it examines how both Jewish and non-Jewish supporting actors contributed to jeopardizing such performances.