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The presentation will focus on the emergence of the ‘Orchid’ theatre of provocative fashion in Luhan’sk. I argue that this example of artistic sexual/gender dissent provides us with an important insight into the nonnormative social formations of the 1990s Ukraine. Placing ‘Orchid’ in dialogue with the self-published materials of the time, I trace the development of the ‘LGBT activism’ in Ukraine and its attitude to capitalist sexual and gender practices. I argue that employing the Jose Esteban Munoz’s concept of dis-identification helps us to understand better not only the creative practices, but also the survival practices of nonnormative people in Ukraine under conditions of global capitalism.