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The paper argues that philosophical concepts undergo profound change when they are woven into a literary text, and can longer be read in the same way as outside such a text, that is, as philosophy proper. The transformation of philosophy into a material in the hands of a literary artist changes its nature: it is no longer a quest for truth but a means of performing an artistic task. Examples will be drawn from Alexander Pushkin, Fyodor Dostoevsky, and Mikhail Bulgakov.