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Session Submission Type: Panel
The panel explores how liberation or the search for it appears as a connecting trope in the making of late nineteenth century Budapest’s nightlife, the reception of French cancan in Hungary during the 1860s, and in representative films and literature during the 1930s.
Bright Lights and Late Nights in Nineteenth-Century Budapest - Robert Nemes, Colgate U
Having Fun and Liberating Bodies through Dance: The Cancan Wars in 1860s Hungary - Alexander Vari, Marywood U
An Old Sloth, a New Cabriolet, and the Same Ending: The Limits of Female Liberation in Gaál’s Dream Car (1934) and Török’s Wild Rower (1937) - Andrew Behrendt, Missouri S&T