Search
In-Person Program Calendar
Browse By Day
Browse By Time
Browse By Person
Browse By Category
Browse By Session Type
Browse By Affiliate Organization
Browse by Featured Sessions
Browse Spotlight on Central Asian Studies
Drop-in Help Desk
Search Tips
Sponsors
About ASEEES
Code of Conduct Policy
Personal Schedule
Change Preferences / Time Zone
Sign In
This paper revisits the question of Aleksandr Radishchev’s relationship with Freemasonry by comparing the image of Christ as (de)constructed across Radishchev’s works with Christological motifs in texts associated with Nikolai Novikov’s Masonic circle. Radishchev and the Masons both locate the voice of God in the inner person and therefore seem to erase Scriptural memory altogether. Yet, differences emerge in the ways each set of texts recalls and reimagines the Bible: whereas the Masons keep Scripture tangibly present in their rituals and encourage highly emotional readings that view individual experience in scriptural terms, Radishchev recycles biblical motifs and scriptural language as a literary toolkit employed in the service of an abstract philosophical project.