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For years, the heirs of Boris Pasternak and Kornei Chukovsky struggled to preserve the writers' dachas in Peredelkino, turning them essentially into informal private museums. Perestroika brought success of a sort with both homes becoming part of the State Literary Museum in the 1990s. My paper will discuss how the two writers' biographies--both full of the complexities of creative life under Soviet rule--have been valued, curated, and presented over time.