Search
In-Person Program Calendar
Browse By Day
Browse By Time
Browse By Person
Browse By Category
Browse By Session Type
Browse By Affiliate Organization
Browse by Featured Sessions
Browse Spotlight on Central Asian Studies
Drop-in Help Desk
Search Tips
Sponsors
About ASEEES
Code of Conduct Policy
Personal Schedule
Change Preferences / Time Zone
Sign In
This paper examines the audiovisual representations of Czechoslovak RAF pilots in postwar Czechoslovak and Czech cinema, tracing the political shifts in postwar history through their story's “disappearance” after 1948, brief re-emergence in 1968, and major rediscovery after 1989. Through an analysis of films such as The Sky Riders (1968), Cemetery for Foreigners (1991), Dark Blue World (2001), and Ballad of the Pilot (2018), along with selected documentaries, it highlights the unique role of this topic within Czech collective memory. While films about RAF pilots in other countries emphasize anti-fascism and individual heroism, Czechoslovak and Czech films focus on anti-communism, marginalization, and postwar persecution of the airmen, reflecting the central trauma of Czech history rooted more in the communist past than the Second World War.