Search
In-Person Program Calendar
Browse By Day
Browse By Time
Browse By Person
Browse By Category
Browse By Session Type
Browse By Affiliate Organization
Browse by Featured Sessions
Browse Spotlight on Central Asian Studies
Drop-in Help Desk
Search Tips
Sponsors
About ASEEES
Code of Conduct Policy
Personal Schedule
Change Preferences / Time Zone
Sign In
From 1947 until 1990, the state-run company Deutsche Schallplatten was the only producer of vinyl records in the German Democratic Republic; however, despite being monopolistic, Deutsche Schallplatten was far from self-sufficient. The company imported record presses and vinyl-pressing material, and, while it did import some finished records, it also exported them—to the West in order to gain hard currency, and to other socialist countries as a gesture of ideological friendship. By differentiating between instances when East German cultural officials welcomed international connections and when they shunned them, this paper will investigate the (in)ability of the socialist world to create independent technical supply chains and situate socialist vinyl manufacturing in a longer, deeply globalized history of musical recording and record production.