Search
In-Person Program Calendar
Browse By Day
Browse By Time
Browse By Person
Browse By Category
Browse By Session Type
Browse By Affiliate Organization
Browse by Featured Sessions
Browse Spotlight on Central Asian Studies
Drop-in Help Desk
Search Tips
Sponsors
About ASEEES
Code of Conduct Policy
Personal Schedule
Change Preferences / Time Zone
Sign In
This paper challenges longstanding perceptions of Sudeten culture as inherently conservative and driven by notions of rural Volks- or Heimat culture. Considering the modern visual idiom used by various designers and illustrators contributing to Sudeten culture in the 1930s and 40s, it argues that artists such as Hanns Erich Köhler embraced a modern visuality to blur the distinction between Volk, folk, and popular culture, ultimately forging a contemporary Sudeten culture that integrated concepts of Heimat culture into modern design and visual arts suitable for mass consumption.