Search
In-Person Program Calendar
Browse By Day
Browse By Time
Browse By Person
Browse By Category
Browse By Session Type
Browse By Affiliate Organization
Browse by Featured Sessions
Browse Spotlight on Central Asian Studies
Drop-in Help Desk
Search Tips
Sponsors
About ASEEES
Code of Conduct Policy
Personal Schedule
Change Preferences / Time Zone
Sign In
This paper examines how contemporary Ukrainian bloggers use a decolonizing approach to critically reassess modern Ukrainian culture and the cultural products that influenced Ukrainian media consumption prior to the full-scale war, particularly Soviet and Russian content. It focuses on the revision of humor shows, comedies, and other comedic elements that may have reinforced neo-imperialist narratives. By analyzing how bloggers engage with and reinterpret these materials, the study highlights the role of digital discourse in reshaping cultural memory and challenging persistent colonial frameworks. This discussion goes beyond academic debates, providing insights into how decolonization is reflected in popular culture and public discourse. By exploring the strategies employed by bloggers – ranging from parody and critical commentary to outright rejection – this paper investigates how humor serves as a tool for cultural resistance and self-redefinition. Ultimately, the research sheds light on the broader dynamics of postcolonial identity formation in Ukraine and the role of digital media in facilitating these cultural shifts.