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Session Submission Type: Panel
This panel includes papers that seek to disentangle the different types of transnational connections that were created during late socialism between the communist regimes in Eastern Europe and the West through the (in)visible connections of state institutions, and through the informal networks created by private collectors or mediators. Which was the official context of the relationship between the two blocs besides the relation between the USSR and the US? The panel proposes to enlarge the perspective of Cultural Cold War analyses using novel archival sources. The Cultural Cold War analyses deal with the ways in which culture was used during the Cold War by both socialist and Western countries, and with cultural diplomacy or cultural propaganda specific to the Cold War period. The use of art and cultural production as a means of propaganda have been seen in different ideological institutions such as the Congress for Cultural Freedom (1950-1966)/International Association for Cultural Freedom (IACF 1967-1979). How did the communist regime conceive their cultural relations with the West? Which institutions did they use? Were there common practices? The panel invites proposals that analyze the general context of cultural relations with the West and case studies of artists or collectors, etc.
Cultural Cold War Diplomacy between Socialist Romania and the US: The Case of the Artist Corneliu Petrescu - Caterina Preda, U of Bucharest (Romania)
Transnational Links during the Cold War: The Case of the Tyler Collection in Tasmania - Rachael Rose, U of Tasmania (Australia)
Small States, Global Visions: Hungary, UNESCO, and the Cultural Politics of Literary Studies - Tamás Scheibner, Eötvös Loránd U (Hungary)